In Juliet's case, however, there is a heightened sense that she has been forced to mature too quickly. The emphasis throughout the play on Juliet's youth, despite her growing maturity, establishes her as a tragic heroine. Juliet is presented as quiet and obedient; however, she possesses an inner strength that enables her to have maturity beyond her years.
She meets Romeo in 1. Juliet stabs herself in 5.
From The Works of William Shakespeare. There is in it an intensity of passion, a singleness of purpose, an entireness, a completeness of effect, which we feel as a whole; and to attempt to analyze the impression thus conveyed at once to soul and sense, is as if while hanging over a half-blown rose, and revelling in its intoxicating perfume, we should pull it asunder, leaflet by leaflet, the better to display its bloom and fragrance.
The passion is her state of being, and out of it she has no existence.
It is the soul within her soul; the pulse within her heart; the life-blood along her veins, "blending with every atom of her frame. In the delineation of that sentiment which forms the groundwork of the drama, nothing in fact can equal the power of the picture but its inexpressible sweetness and its perfect grace: But at the same time that the pervading sentiment is never lost sight of, and is one and the same throughout, the individual part of the character in all its variety is developed, and marked with the nicest discrimination.
For instance, the simplicity of Juliet is very different from the simplicity of Miranda; her innocence is not the innocence of a desert island. The energy she displays does not once remind us of the moral grandeur of Isabel, or the intellectual power of Portia; it is founded in the strength of passion, not in the strength of character; it is accidental rather than inherent, rising with the tide of feeling or temper, and with it subsiding.
Her romance is not the pastoral romance of Perdita, nor the fanciful romance of Viola; it is the romance of a tender heart and a poetical imagination. Her inexperience is not ignorance; she has heard that there is such a thing as falsehood, though she can scarcely conceive it.
His visionary passion for the cold, inaccessible Rosaline, forms but the prologue, the threshold, to the true, the real sentiment which succeeds to it. This incident, which is found in the original story, has been retained by Shakspeare with equal feeling and judgement; and far from being a fault in taste and sentiment, far from prejudicing us against Romeo, by casting on him, at the outset of the piece, the stigma of inconstancy, it becomes, if properly considered, a beauty in the drama, and adds a fresh stroke of truth to the portrait of the lover.
Why, after all, should we be offended at what does not offend Juliet herself? In Portia, the imaginative power, though developed in a high degree, is so equally blended with the other intellectual and moral faculties, that it does not give us the idea of excess.
It is subject to her nobler reason; it adorns and heightens all her feelings; it does not overwhelm or mislead them. In Juliet, it is rather a part of her southern temperament, controlling and modifying the rest of her character; springing from her sensibility, hurried along by her passions, animating her joys, darkening her sorrows, exaggerating her terrors, and, in the end, overpowering her reason.
With Juliet, imagination is, in the first instance, if not the source, the medium of passion; and passion again kindles her imagination. It is through the power of imagination that the eloquence of Juliet is so vividly poetical; that every feeling, every sentiment comes to her clothed in the richest imagery, and is thus reflected from her mind to ours.
The poetry is not here the mere adornment, the outward garnishing of the character; but its result, or rather blended with its essence. It is indivisible from it, and interfused through it like moonlight through the summer air.
To particularize is almost impossible, since the whole of the dialogue appropriated to Juliet is one rich stream of imagery. The famous soliloquy, "Gallop apace, ye fiery-footed steeds," teems with luxuriant imagery. The fond adjuration, "Come night I come Romeo!
Let it be remembered that in this speech Juliet is not supposed to be addressing an audience, nor even a confidante; and I confess I have been shocked at the utter want of taste and refinement in those who, with coarse derision, or in a spirit of prudery, yet more gross and perverse, have dared to comment on this beautiful "Hymn to the Night," breathed out by Juliet in the silence and solitude of her chamber.
She is thinking aloud; it is the young heart "triumphing to itself in words.May 25, · Romeo and Juliet chapter summary in under five minutes!
William Shakespeare's play Romeo and Juliet is perhaps one of the most famous works ever written. Get an answer for 'What is the role of fate in the play Romeo and Juliet? i want to know what is the role of fate in the play of romeo and juliet by the writer William Shakespeare' and find. Discussion of themes and motifs in William Shakespeare's Romeo and Juliet.
eNotes critical analyses help you gain a deeper understanding of Romeo and Juliet so you can excel on your essay or test. Romeo and Juliet Characters Analysis features noted Shakespeare scholar William Hazlitt's famous critical essay about the characters of Romeo and Juliet..
ROMEO AND JULIET is the only tragedy which Shakespear has written entirely on a love-story. Romeo and Juliet Shakespeare homepage | Romeo and Juliet | Entire play ACT I PROLOGUE Two households, both alike in dignity, mother, Tybalt, Romeo, Juliet, All slain, all dead.
'Romeo is banished!' There is no end, no limit, measure, bound, In that word's death; no words can that woe sound. Romeo and Juliet is a tale of doomed love.
I think the movie Gnomeo and Juliet, while being good, is offensive to Shakespeare's masterpiece.
|Navigate Guide||He stands out as the emblem of youthful love, its disappointment, and its possibility for tragedy. Romeo is the only son of Lord Montague, the head of a reputed and rich family of Verona that is plagued by its longstanding feud with the Capulet family.|
I enjoy it very much.